Flamboyant Fictions: The Failed Art of Passing posits formal experimentation as an index for evolving expressions of male homosexuality from the advent of literary and filmic modernism to the present day.
Emma Heaney’s The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the evolution of the “trans feminine” as an allegorical figure from its origins in the late nineteenth century to contemporary Queer Theory.
The Color of the Heart gives an eyewitness account of the controversies of the last three decades over feminist, political, and literary issues as only a poet and political activist totally engaged in the events could perceive and write about them—highlighting sexuality, gay liberation, psychoanalysis, and the impact of deconstruction on both politics and art.
