Sistuhs in the Struggle

“In 1959, A Raisin in the Sun by Lorraine Hansberry won the New York Drama Critics' Circle award and was named Best Play. This play, along with the civil rights movement, ignited an explosion of Black Arts throughout the country. African Americans were able to obtain funding, theater spaces, publishing, and training. What has been missing is more accountability for the history of the women from this period . . . Sistuhs in the Struggle has answered this call and this need . . . I taught African American Women in Theatre every year from 1988 to 2014, and this book would/could have been my textbook.” —Lundeana M. Thomas, contributor to Black Theatre: Ritual Performance in the African Diaspora

“Sistuhs in the Struggle’s interviews capture the aesthetic and geographical variety of better-known and less-heralded women working in Black Arts theater. It is an invaluable resource for understanding how gender inflected the day-to-day work in Black Arts performance, shaping its development and legacies.” —James Smethurst, author of The Black Arts Movement: Literary Nationalism in the 1960s and 1970s

“In transcribed conversations with African American women from the realm of Black Arts Movement theater and performance—Sonia Sanchez, Ntozake Shange, Judy Juanita, and others—La Donna L. Forsgren shares their personal insights into the connection between the arts and the social activism of black power. Sistuhs in the Struggle is a valuable resource for amplifying women’s participation in the Black Arts Movement, while also fleshing out the complexity of the struggle." —Jo-Ann Morgan, author of The Black Arts Movement and the Black Panther Party in American Visual Culture

". . . a vital and timely addition to the historical record." —M. S. LoMonaco, Fairfield University, CHOICE

“Sistuhs in the Struggle is an important contribution to the studies of Black theater and performance, and specifically discourses on the Black Arts Movement and feminist theater . . . Forsgren’s project illuminates the past, but also individual and collective artistic processes. In many ways, it read as a roadmap from those who have laid this foundation before us. Mapping Black women’s intellectual and artistic contributions in the fields of theater, drama, and performance, Forsgren complicates the Black Arts Movement and creates an archive for additional study and introspection.” —Le’mil L. Eiland, Theatre Topics