SOCIAL SCIENCE
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Muscle Works
Men’s fitness as a performance—from nineteenth-century theatrical exhibitions to health and wellness practices today
AfroSwedish Places of Belonging
Draws on autobiographical narratives, documentary film, digital feminism, and queer organizing to grapple with AfroSwedishness as a coalitional identity
Transoceanic Blackface
A sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century
The Backwards Hand
Fear. Disgust. Pity. The cripple evokes our basest human emotions—as does the monster.
The War on the Social Factory
Annie Paradise examines the expanding carceral processes of enclosure, criminalization, dispossession, expropriation, and disposability that mark the neoliberal "security” regime across the Silicon Valley and counterinsurgent strategies of mutual aid and co-generative, dynamic resistance to those forces.
Race and the Forms of Knowledge
Crafting a fluid yet critical new framework, explored via a series of case studies, including their own practice-as-research, Ben Spatz confronts hegemonic modes of white writing and white institutionality and examines alternative forms of knowledge.
Theatricality of the Closet
Michelle Liu Carriger examines fashion and clothing controversies of the nineteenth century, drawing on performance theory to reveal how the apparently superficial or frivolous deeply affects the creation of identity.
Feelin
Through interviews, close readings, and archival research, Bettina Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women artists.
Colorblind Tools
Offering a transnational account of anti-Blackness and white supremacy that pushes against the dominant emphasis on change that pervades current racial theory, Marzia Milazzo demonstrates that colorblindness is neither new nor a subtype of racist ideology, but a constitutive technology of racism.
Four of the Three Musketeers
Four of the Three Musketeers is the definitive history of the Marx Brothers’ hardscrabble early years honing their act in front of live audiences on the vaudeville circuit.
Muscle Works
Men’s fitness as a performance—from nineteenth-century theatrical exhibitions to health and wellness practices today
AfroSwedish Places of Belonging
Draws on autobiographical narratives, documentary film, digital feminism, and queer organizing to grapple with AfroSwedishness as a coalitional identity
Transoceanic Blackface
A sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century
The Backwards Hand
Fear. Disgust. Pity. The cripple evokes our basest human emotions—as does the monster.
The War on the Social Factory
Annie Paradise examines the expanding carceral processes of enclosure, criminalization, dispossession, expropriation, and disposability that mark the neoliberal "security” regime across the Silicon Valley and counterinsurgent strategies of mutual aid and co-generative, dynamic resistance to those forces.
Race and the Forms of Knowledge
Crafting a fluid yet critical new framework, explored via a series of case studies, including their own practice-as-research, Ben Spatz confronts hegemonic modes of white writing and white institutionality and examines alternative forms of knowledge.
Theatricality of the Closet
Michelle Liu Carriger examines fashion and clothing controversies of the nineteenth century, drawing on performance theory to reveal how the apparently superficial or frivolous deeply affects the creation of identity.
Feelin
Through interviews, close readings, and archival research, Bettina Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women artists.
Colorblind Tools
Offering a transnational account of anti-Blackness and white supremacy that pushes against the dominant emphasis on change that pervades current racial theory, Marzia Milazzo demonstrates that colorblindness is neither new nor a subtype of racist ideology, but a constitutive technology of racism.
Four of the Three Musketeers
Four of the Three Musketeers is the definitive history of the Marx Brothers’ hardscrabble early years honing their act in front of live audiences on the vaudeville circuit.