PERFORMING ARTS
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Negative Life
How films help us understand the inevitable death of Earth and humanity Offering a bracing theoretical corrective to ecocriticism’s emphasis on pedagogies of care and interconnection, Negative Life:...
Muscle Works
Men’s fitness as a performance—from nineteenth-century theatrical exhibitions to health and wellness practices today
Max Reinhardt
Max Reinhardt was one of the formative directors of modern theater. Starting as an actor, it soon became clear that he wanted more. His vision of a theater "that returns joy to the people" was vast and expansive: It included intimate theatrical arrangement as well as mass production in the circus arena. Reinhardt's aesthetics were not restricted to a single program but indulged in a playful eclecticism. Thus, his career as a director that lasted for almost 40 years comprises a broad variety of artists of various genres as well as many different styles.
At the same time, Reinhardt soon longed for an international range: guest performances throughout Europe and to the US soon made him into a global star – and even a brand. He represents a metropolitan culture that roots in the late nineteenth century but comes to an end when Fasicsm in Europe ended any...
Intermedialities
Understanding democracy through film philosophy and political theory
Transoceanic Blackface
A sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century
Race and the Forms of Knowledge
Crafting a fluid yet critical new framework, explored via a series of case studies, including their own practice-as-research, Ben Spatz confronts hegemonic modes of white writing and white institutionality and examines alternative forms of knowledge.
Theater of Capital
Alisa Zhulina shows how canonical fin-de-siècle playwrights interrogated the meaning of capitalism, staging economic questions as moral and political concerns and challenging contemporary socioeconomic theories within the boundaries of bourgeois theater.
Restaging the Future
An examination of neoliberal ideology's ascendance in 1990s and 2000s British politics and society through its effect on state-supported performance practices.
Theatricality of the Closet
Michelle Liu Carriger examines fashion and clothing controversies of the nineteenth century, drawing on performance theory to reveal how the apparently superficial or frivolous deeply affects the creation of identity.
The Crooked Mirror
This anthology brings together key plays from the Crooked Mirror, a leading Silver Age Russian cabaret, with short biographies of their authors and robust commentary and annotations to trace the theater’s artistic and ideological evolution.
Negative Life
How films help us understand the inevitable death of Earth and humanity Offering a bracing theoretical corrective to ecocriticism’s emphasis on pedagogies of care and interconnection, Negative Life:...
Muscle Works
Men’s fitness as a performance—from nineteenth-century theatrical exhibitions to health and wellness practices today
Max Reinhardt
Max Reinhardt was one of the formative directors of modern theater. Starting as an actor, it soon became clear that he wanted more. His vision of a theater "that returns joy to the people" was vast and expansive: It included intimate theatrical arrangement as well as mass production in the circus arena. Reinhardt's aesthetics were not restricted to a single program but indulged in a playful eclecticism. Thus, his career as a director that lasted for almost 40 years comprises a broad variety of artists of various genres as well as many different styles.
At the same time, Reinhardt soon longed for an international range: guest performances throughout Europe and to the US soon made him into a global star – and even a brand. He represents a metropolitan culture that roots in the late nineteenth century but comes to an end when Fasicsm in Europe ended any...
At the same time, Reinhardt soon longed for an international range: guest performances throughout Europe and to the US soon made him into a global star – and even a brand. He represents a metropolitan culture that roots in the late nineteenth century but comes to an end when Fasicsm in Europe ended any...
Intermedialities
Understanding democracy through film philosophy and political theory
Transoceanic Blackface
A sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century
Race and the Forms of Knowledge
Crafting a fluid yet critical new framework, explored via a series of case studies, including their own practice-as-research, Ben Spatz confronts hegemonic modes of white writing and white institutionality and examines alternative forms of knowledge.
Theater of Capital
Alisa Zhulina shows how canonical fin-de-siècle playwrights interrogated the meaning of capitalism, staging economic questions as moral and political concerns and challenging contemporary socioeconomic theories within the boundaries of bourgeois theater.
Restaging the Future
An examination of neoliberal ideology's ascendance in 1990s and 2000s British politics and society through its effect on state-supported performance practices.
Theatricality of the Closet
Michelle Liu Carriger examines fashion and clothing controversies of the nineteenth century, drawing on performance theory to reveal how the apparently superficial or frivolous deeply affects the creation of identity.
The Crooked Mirror
This anthology brings together key plays from the Crooked Mirror, a leading Silver Age Russian cabaret, with short biographies of their authors and robust commentary and annotations to trace the theater’s artistic and ideological evolution.