Senegalese Stagecraft

Senegalese Stagecraft

Decolonizing Theater-Making in Francophone Africa

Performance Works

by Brian Valente-Quinn

Imprint: Northwestern University Press

208 Pages, 6.00 x 9.00 in, 9 b-w images

  • Paperback
  • 9780810143654
  • Published: July 2021

$34.95

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  • Hardcover
  • 9780810143661
  • Published: July 2021

$99.95

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  • eBook
  • 9780810143678
  • Published: July 2021

$34.95

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Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country’s colonial heritage, as well as through their innovations on the craft of theater-making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country’s theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society.
 
Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial education, cultural Pan-Africanism, West African Sufism, uses of television and mass media, and popular theater and activism. Using a multidisciplinary approach that includes field, archival, and literary methods, Valente-Quinn offers a fresh look at performance cultures of West Africa and the Global South in a book that will interest students and scholars in African, Francophone, and performance studies.
 

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