Memory, Human Rights, and Postdictatorship in Argentina, Brazil, and Uruguay
Imprint: Northwestern University Press
Through an engaging exploration of the concept of “never again” (nunca más/nunca mais) and close analysis of photography exhibits, audiovisual installations, and other art forms in spaces of cultural memory, the book explores how aesthetic interventions can suggest alternative ways of framing human rights subjectivity beyond the rhetoric of liberal humanitarianism. The book visits sites of memory, two of which functioned as detention and torture centers during dictatorships, to highlight the tensions between the testimonial tenor of permanent exhibits and the aesthetic interventions of temporary installations there. Rajca thus introduces perspectives that both undo common understandings of authoritarian violence and its effects as well as reconfigure who or what are made visible as subjects of memory and human rights in postdictatorship countries.
Dissensual Subjects offers much to those concerned with numerous interlocking fields: memory, human rights, political subjectivity, aesthetics, cultural studies, visual culture, Southern Cone studies, postdictatorship studies, and sites of memory.
1. Nunca más/Nunca Mais: The Ethical Fusion of Memory and Human Rightsin Postdictatorial Culture
2. The Politics and Aesthetics of Resistance: Memory and Subjectivity at the Memorial da Resistência in São Paulo, Brazil
3. Melancholy and Dissensus: Postdictatorial Subjectivity at The Centro Cultural y Museo de la Memoria (MUME) in Montevideo, Uruguay
4. Aesthetics, Politics, and the Subjects of Memory and Human Rights at the Espacio para la memoria y la promoción y defensa de los derechos humanos (ex-ESMA) in Buenos Aires, Argentina
Conclusion: Beyond the Ethical Fusion of Memory and Human Rights in Postdictatorship
“Rajca delivers a powerful and impressive critique of memory politics in the Southern Cone and Brazil. Skillfully written, this book is certain to impact the way scholars interpret the relationship between human rights and memory in Latin America and beyond.” —Rebecca J. Atencio, author of Memory’s Turn: Reckoning with Dictatorship in Brazil
"This book presents a new approach to the field of memory studies, opening up a different way of looking and questioning how to deal with problems of social injustice and inequality beyond the usual logic of resistance and victimhood." —Susana Draper, author of Afterlives of Confinement: Spatial Transitions in Postdictatorship Latin America
"In a field where the consensus around human rights violations has become a master narrative of victimhood, Rajca's theoretical intervention problematizes the so called “depoliticized ethical turn,” proposing an alternative reading of the relationship between politics, ethics and aesthetics. This work redefines the politics of visibility imposed by the Nunca Más/Nunca Mais State's dictum, liberating the political emancipatory potential of the bare human." —Fernando A. Blanco