Northwestern World Classics
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Flames from the Earth
Series: Northwestern World Classics
Flames from the Earth is an autobiographical novel by Isaiah Spiegel, one of the most revered Yiddish authors to survive the Holocaust, depicting the complex web of relationships in and around the Łódź Ghetto.
Rakes of the Old Court
Series: Northwestern World Classics
This novel of decadence and debauchery, set in Bucharest in 1910, follows four characters through bars, brothels, and landscapes of travel and escape. The 1929 book is a classic of Romanian modernism.
Two Plays of Weimar Germany
Series: Northwestern World Classics
Expert new translations of two classics of the Weimar stage: Ferdinand Bruckner's Youth Is a Sickness and Criminals. Translator and renowned scholar Lawrence Senelick also provides an introduction and annotation.
The Iphigenia Plays
Series: Northwestern World Classics
In The Iphigenia Plays, award-winning poet and classicist Rachel Hadas offers luminous translations, in contemporary verse, of Euripedes’s fateful story of Agamemnon’s daughter.
Judgment
Series: Northwestern World Classics
Judgment (Mides-hadin in Yiddish) is a work of startling power by David Bergelson, the most celebrated Yiddish prose writer of his era. Born in Ukraine in 1884, and living in Berlin from 1921 until Hitler’s rise to power, Bergelson was executed in Moscow in 1952. This novel interweaves Judaism and socialism in a revolutionary, experimental, modernist style.
Fog
Series: Northwestern World Classics
Fog is a new translation of the Modernist Spanish author Miguel de Unamuno’s Niebla. First published in 1914, Fog is considered an influential and enduring classic of European modernism.
Russian Absurd
Series: Northwestern World Classics
A selection of short stories and poems by Daniil Kharms.
After Tomorrow the Days Disappear
Series: Northwestern World Classics
Hasan Sijzi, also known as Amir Hasan Sijzi Dehlavi, is considered the originator of the Indo-Persian ghazal, a poetic form that endures to this day—from the legacy of Hasan’s poetic descendent, Hafez, to contemporary Anglophone poets such as John Hollander, Maxine Kumin, Agha Shahid Ali, and W. S. Merwin.
Theogony and Works and Days
Series: Northwestern World Classics
Widely considered the first poet in the Western tradition to address the matter of his own experience, Hesiod occupies a seminal position in literary history. His Theogony brings together...
A Hero of Our Time
Series: Northwestern World Classics
Mikhail Lermontov’s A Hero of Our Time was the first modern Russian novel. Published in 1840, it set a model of penetrating observation and psychological depth that would come to typify Russian literature. Its "hero," Grigorii Pechorin, also established a character type that became known in Russian fiction as "the superfluous man"—widely familiar from Dostoevsky’s Notes from Underground. At once driven by pride and wracked by self-doubt, both shockingly self-revealing and blindly self-deceived, he flounders to affirm himself in a social world he despises yet yearns to dominate.
Flames from the Earth
Series: Northwestern World Classics
Rakes of the Old Court
Series: Northwestern World Classics
Two Plays of Weimar Germany
Series: Northwestern World Classics
The Iphigenia Plays
Series: Northwestern World Classics
Judgment
Series: Northwestern World Classics
Fog
Series: Northwestern World Classics
Russian Absurd
Series: Northwestern World Classics
After Tomorrow the Days Disappear
Series: Northwestern World Classics
Hasan Sijzi, also known as Amir Hasan Sijzi Dehlavi, is considered the originator of the Indo-Persian ghazal, a poetic form that endures to this day—from the legacy of Hasan’s poetic descendent, Hafez, to contemporary Anglophone poets such as John Hollander, Maxine Kumin, Agha Shahid Ali, and W. S. Merwin.
Theogony and Works and Days
Series: Northwestern World Classics
A Hero of Our Time
Series: Northwestern World Classics
Mikhail Lermontov’s A Hero of Our Time was the first modern Russian novel. Published in 1840, it set a model of penetrating observation and psychological depth that would come to typify Russian literature. Its "hero," Grigorii Pechorin, also established a character type that became known in Russian fiction as "the superfluous man"—widely familiar from Dostoevsky’s Notes from Underground. At once driven by pride and wracked by self-doubt, both shockingly self-revealing and blindly self-deceived, he flounders to affirm himself in a social world he despises yet yearns to dominate.