Out of This World: Afro-German Afrofuturism examines how contemporary Afro-German authors and artists use Afrofuturist tropes and concepts to critique German racism and colonial history, Eurocentrism, and binary thinking about race, culture, and gender identity.
Draws on autobiographical narratives, documentary film, digital feminism, and queer organizing to grapple with AfroSwedishness as a coalitional identity
Through interviews, close readings, and archival research, Bettina Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women artists.
Dead Weight chronicles the experiences of a drug smuggler who, after being sentenced to eight years in state prison, earned a PhD in creative writing and became the only tenured professor in the United States with seven felony convictions.
Contributions by Duane Davis, Lisa Guenther, Lewis R. Gordon, John D. Caputo, Kris Sealey, Mark Ralkowski, Natalie Cisneros, Kyle Whyte, Robert McRuer, George Yancy, Patricia Hill Collins, Rosalyn Diprose, Eduardo Mendieta, Alia Al-Saji, Charles W. Mills, Tamsin Kimoto, Debra Bergoffen, Shannon M. Mussett, Diane Perpich, Donald A. Landes, Ted Toadvine, Helen A. Fielding, Megan Burke, Mariana Ortega, David Morris, Moira Gatens, Shiloh Whitney, Scott Marratto, Jenny Slatman, William McBride, Elena Ruiz, Rosemarie Garland-Thomson, Emily S. Lee, Lanei M. Rodemeyer, Joel Michael Reynolds, Shannon Sullivan, Jennifer McWeeny, Jack Reynolds, Linda Martin Alcoff, Lauren Guilmette, Sid Hansen, Axelle Karera, David Haekwon Kim, Keith Whitmoyer, Perry Zurn, Nancy J. Holland, Dorthea Olkowski, Talia Mae Bettcher, Kelly Oliver, Andrea Pitts and Cynthia Willett
This volume is an introduction to both newer and more established ideas in the growing field of critical phenomenology from a number of disciplinary perspectives.
by Abdul Alkalimat, Rebecca Zorach and Romi Crawford
With vivid images and words, The Wall of Respect: Public Art and Black Liberation in 1960s Chicago tells the story of the mural on Chicago’s South Side whose creation and evolution was at the heart of the Black Arts Movement in the United States.
