Through interviews, close readings, and archival research, Bettina Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women artists.
This book challenges the notion that the bourgeois public sphere is the most important informal institution between social and political actors and the state. María Pía Lara draws on cinematic images of women’ s struggles to develop a concept of the feminist social imaginary.
This book explores the role that identity politics plays in capitalism, in particular the ways in which capitalism thrives by fragmenting identity through multiple modes of mediation.
Contributions by Duane Davis, Lisa Guenther, Lewis R. Gordon, John D. Caputo, Kris Sealey, Mark Ralkowski, Natalie Cisneros, Kyle Whyte, Robert McRuer, George Yancy, Patricia Hill Collins, Rosalyn Diprose, Eduardo Mendieta, Alia Al-Saji, Charles W. Mills, Tamsin Kimoto, Debra Bergoffen, Shannon M. Mussett, Diane Perpich, Donald A. Landes, Ted Toadvine, Helen A. Fielding, Megan Burke, Mariana Ortega, David Morris, Moira Gatens, Shiloh Whitney, Scott Marratto, Jenny Slatman, William McBride, Elena Ruiz, Rosemarie Garland-Thomson, Emily S. Lee, Lanei M. Rodemeyer, Joel Michael Reynolds, Shannon Sullivan, Jennifer McWeeny, Jack Reynolds, Linda Martin Alcoff, Lauren Guilmette, Sid Hansen, Axelle Karera, David Haekwon Kim, Keith Whitmoyer, Perry Zurn, Nancy J. Holland, Dorthea Olkowski, Talia Mae Bettcher, Kelly Oliver, Andrea Pitts and Cynthia Willett
This volume is an introduction to both newer and more established ideas in the growing field of critical phenomenology from a number of disciplinary perspectives.
