Images, whether filmic or not, cannot be replaced by words. Yet words can make images. This is the thesis underlying So What, a collection of essays on filmmakers and artists, including Luchino Visconti, Orson Welles, Marguerite Duras, Hollis Frampton, and Agnes Martin.
Russell Ford examines Gilles Deleuze’s Empiricism and Subjectivity within its academic and philosophical context, arguing that the significance of this work only becomes apparent in connection to a larger problematic: the conceptual constitution of a purely immanent account of existence.
Renowned psychoanalytic philosopher Richard Boothby puts forward a novel theory of religion inspired by Jacques Lacan’s theory of das Ding. The book offers the theoretical tools for interpreting religious belief and analyzes several faith traditions.
This book analyzes Hannah Arendt’s later thought, putting it in dialogue with her other writings and notes on Immanuel Kant’s Critique of Judgment to outline Arendt’s theory of judgment for the twentieth century.
Analyzing works by Gotthold Ephraim Lessing, Johann Wolfgang von Goethe, and Heinrich von Kleist, Oliver Simons shows how the emergence of new kinds of literary endings around 1800 is inextricably linked to the history of philosophical and scientific concepts.
Contributions by Banu Bargu, Sid Hansen, Tamsin Kimoto, María de la Cruz Salvador López, Michael Naas, Kelly Oliver, Brad Elliott Stone and Janos Toevs
The Biopolitics of Punishment marks a new chapter in the long-standing debate between Jacques Derrida and Michel Foucault. The essays collected in this volume chart the undertheorized dialogue between the two philosophers on questions of life, death, punishment, power, and resistance.
While Immanuel Kant's account of human reason is well known and celebrated, his account of human animality (Thierheit) is virtually unknown. Animality and reason, as pillars of Kant's vision...
This book provides a comprehensive and critical account of Gadamer’s hermeneutical philosophy. Robert J. Dostal shows that at the heart of Gadamer’s enterprise is the thesis that “being that can be understood is language.”
The Possibility of Philosophy presents the notes Maurice Merleau‑Ponty prepared for three courses he taught at the Collège de France. Two of these courses were the last he taught before his unexpected death in 1961.
