LANGUAGE ARTS & DISCIPLINES / Journalism
Showing results 1-10 of 14
Filter Results OPEN +
Journalism and Realism
Series: Medill Visions of the American Press
Both newspaper and magazine journalism in the nineteenth century fully participated in the development and emergence of American Realism in the arts, which attempted to accurately portray everyday life, especially in fiction. Magazines and newspapers provided the raw material for American Realism, but were also its early and vocal advocates.
Best AltWeekly Writing 2009 & 2010
Best AltWeekly Writing 2009 & 2010 showcases articles that won the Association of Alternative Newsweeklies’s AltWeekly Awards in 2009 and 2010. These pieces embody the in-depth investigative journalism, narrative style, and defiant viewpoints that define alternative weeklies. Interviews with the authors illuminate the methods and personalities behind the stories. Articles feature music criticism from the Village Voice and election coverage from City Pages and the Texas Observer, as well as pieces from Westword, LA Weekly, San Francisco Weekly, and LEO Weekly. Interviews include journalists Anne Schindler, Sarah Fenske, Joel Warner, Jonathan Gold, John Dickerson, Jeffrey C. Billman, Erik Wemple, David Koon and Rob Harvilla.
Watergate's Legacy and the Press
Series: Medill Visions of the American Press
Did two reporters really change the course of history? And what impact did they actually have on American journalism and government? Jon Marshall explores different answers to those questions by...
The Supreme Court and the Press
Series: Medill Visions of the American Press
Although theirs has been a contentious relationship, Joe Mathewson shows that, since the framing of the Constitution, the Supreme Court has needed the press to educate the public about its actions,...
Free for All
Series: Medill Visions of the American Press
In Free for All, longtime scholar of digital media Elliot King begins with a brief history of the technological development of news media from the appearance of newspapers in the sixteenth century to the rise of broadcasting and the Internet.
American Photojournalism
Series: Medill Visions of the American Press
The traditional approach to studying American photojournalism explains the what and who of photojournalism — what events and developments occurred, what notable images were taken, and who took them. Without neglecting those concerns, American Photojournalism emphasizes the why.
The Southern Press
Series: Medill Visions of the American Press
The Southern Press suggests that the South’s journalism struck a literary pose closer to the older English press than to the democratic penny press or bourgeois magazines of the urban North. The Southern journalist was more likely to be a Romantic and an intellectual. The region’s journalism was personal, colorful, and steeped in the classics.
Literary Journalism in the Twentieth Century
Series: Medill Visions of the American Press
This wide-ranging collection of critical essays on literary journalism addresses the shifting border between fiction and non-fiction, literature and journalism.
Abolition and the Press
Series: Medill Visions of the American Press
This examination of nineteenth-century journalism explores the specific actions and practices of the publications that provided a true picture of slavery to the general public.
The Coming of the Frontier Press
Series: Medill Visions of the American Press
From the first story about the discovery of gold in California in 1848 to features on today’s western boomtowns, western expansion and journalism have had a symbiotic relationship. By examining...
Journalism and Realism
Series: Medill Visions of the American Press
Both newspaper and magazine journalism in the nineteenth century fully participated in the development and emergence of American Realism in the arts, which attempted to accurately portray everyday life, especially in fiction. Magazines and newspapers provided the raw material for American Realism, but were also its early and vocal advocates.
Best AltWeekly Writing 2009 & 2010
Best AltWeekly Writing 2009 & 2010 showcases articles that won the Association of Alternative Newsweeklies’s AltWeekly Awards in 2009 and 2010. These pieces embody the in-depth investigative journalism, narrative style, and defiant viewpoints that define alternative weeklies. Interviews with the authors illuminate the methods and personalities behind the stories. Articles feature music criticism from the Village Voice and election coverage from City Pages and the Texas Observer, as well as pieces from Westword, LA Weekly, San Francisco Weekly, and LEO Weekly. Interviews include journalists Anne Schindler, Sarah Fenske, Joel Warner, Jonathan Gold, John Dickerson, Jeffrey C. Billman, Erik Wemple, David Koon and Rob Harvilla.
Watergate's Legacy and the Press
Series: Medill Visions of the American Press
Did two reporters really change the course of history? And what impact did they actually have on American journalism and government? Jon Marshall explores different answers to those questions by...
The Supreme Court and the Press
Series: Medill Visions of the American Press
Although theirs has been a contentious relationship, Joe Mathewson shows that, since the framing of the Constitution, the Supreme Court has needed the press to educate the public about its actions,...
Free for All
Series: Medill Visions of the American Press
In Free for All, longtime scholar of digital media Elliot King begins with a brief history of the technological development of news media from the appearance of newspapers in the sixteenth century to the rise of broadcasting and the Internet.
American Photojournalism
Series: Medill Visions of the American Press
The traditional approach to studying American photojournalism explains the what and who of photojournalism — what events and developments occurred, what notable images were taken, and who took them. Without neglecting those concerns, American Photojournalism emphasizes the why.
The Southern Press
Series: Medill Visions of the American Press
The Southern Press suggests that the South’s journalism struck a literary pose closer to the older English press than to the democratic penny press or bourgeois magazines of the urban North. The Southern journalist was more likely to be a Romantic and an intellectual. The region’s journalism was personal, colorful, and steeped in the classics.
Literary Journalism in the Twentieth Century
Series: Medill Visions of the American Press
This wide-ranging collection of critical essays on literary journalism addresses the shifting border between fiction and non-fiction, literature and journalism.
Abolition and the Press
Series: Medill Visions of the American Press
This examination of nineteenth-century journalism explores the specific actions and practices of the publications that provided a true picture of slavery to the general public.
The Coming of the Frontier Press
Series: Medill Visions of the American Press
From the first story about the discovery of gold in California in 1848 to features on today’s western boomtowns, western expansion and journalism have had a symbiotic relationship. By examining...