In Time in the Ditch, John McCumber explores the effects of McCarthyism on American philosophy in the 1940s and 1950 and the possibility that the political pressures of the McCarthy era skewed the development...
Edited by Megan E. Geigner, Stuart J. Hecht and Jasmine Jamillah Mahmoud
Contributions by Rosemarie K. Bank, Aymar Jean Christian, Shannon Epplett, Cat Gleason, Aaron Krall, LaRonika Marie Thomas, Laley Lippard, Laura A. Lodewyck, Meida McNeal, Travis Stern and Irina Zadov
This book brings together leading historians on the history of theater and performance in Chicago. The essays theorize a regional theater aesthetic that is inherently makeshift and marginal, reflecting the city’s segregation and exposing the transgressive possibilities of performance.
by Abdul Alkalimat, Rebecca Zorach and Romi Crawford
With vivid images and words, The Wall of Respect: Public Art and Black Liberation in 1960s Chicago tells the story of the mural on Chicago’s South Side whose creation and evolution was at the heart of the Black Arts Movement in the United States.
Chicago and Its Botanic Garden: The Chicago Horticultural Society at 125 is a lushly illustrated and thoughtful history of the Society and its evolution from a producer of monumental flower and botanical shows, through a fallow period, to the opening in 1972 of the Chicago Botanic Garden, a living museum and world leader in horticulture, plant science and conservation, education, and urban agriculture. Author Cathy Jean Maloney combines meticulous scholarship with a flair for storytelling in a narrative that will delight everyone from casual strollers of the grounds to the volunteers, professionals, and scientists who compose the influential society.
No president today is more controversial than Venezuela's Hugo Chávez Frías. Elected in a landslide in 1998, he promised a peaceful revolution. That peaceful dream became a nightmare when Chávez was overthrown in a coup d'état in 2002. As a former Catholic priest who has lived in Venezuela for the past twenty years and spent eight of those years in a cardboard-and-tin shack in one of Caracas' barrios, Charles Hardy is in a unique position to explain what is taking place. Cowboy in Caracas: A North American's Memoir of Venezuela's Democratic Revolution gives the reader insight into the Venezuelan reality, using an anecdotal presentation drawn from the writer's personal experiences.
The Color of the Heart gives an eyewitness account of the controversies of the last three decades over feminist, political, and literary issues as only a poet and political activist totally engaged in the events could perceive and write about them—highlighting sexuality, gay liberation, psychoanalysis, and the impact of deconstruction on both politics and art.
