These plays by Andy Bragen examine the intimacies and shadows that exist between parents and children. How do we care for those we love, and what does it take to live with—and without—them?
Part of award-winning playwright Ike Holter’s seven-play Rightlynd Saga, The Wolf at the End of the Block is a taut thriller that explores the aftermath of a police beating.
Sovereignty unfolds over two parallel timelines. In present-day Oklahoma, a young Cherokee lawyer, Sarah Ridge Polson, and her colleague Jim Ross defend the inherent jurisdiction of Cherokee...
Prowess is a superhero-inspired play by renowned young playwright Ike Holter. The play is one of seven in his Rightlynd Saga, set in Chicago’s fictional fifty-first ward.
Discharged from the Marines under suspicious circumstances, Isaac comes home from the wars, only to find the life he remembers upended. Isaac’s father, who once ruled the family with an iron fist, has had a debilitating stroke; his younger sister, Maxine, is now his brother, Max; and their mother, Paige, is committed to revolution at any cost. Determined to be free of any responsibility toward her formerly abusive husband—or the home he created—Paige fervently believes she can lead the way to a "new world order."
Airline Highway is a rollicking play that, with great insight, humor, and subtlety, examines a tight knit community of "outsiders" over the course of a single, legendary day. The Hummingbird Hotel is the figurative or literal home for a group of strippers, French Quarter service workers, hustlers, and poets who are bound together by their bad luck, bad decisions, and complete lack of pretense.
Shelley spends her days running a soup kitchen in the Bronx, her sense of purpose inseparable from her religious faith, though both have begun to waver. Emma, a college dropout looking for direction, arrives at the kitchen hoping to find it there. She brings a needed jolt to the place, helping a long-time client toward a new job, but her energy also proves unsettling. Even as Emma’s behavior grows steadily more erratic, Shelley still wants to believe in her, despite the mounting evidence that she shouldn’t. Shelley must finally ask herself how well she really knows the people she sees every day, how much she can trust them, and what she can and cannot forgive.
The Nether, a daring examination of moral responsibility in virtual worlds, opens with a familiar interrogation scene given a technological twist. As Detective Morris, an online investigator, questions Mr. Sims about his activities in a role-playing realm so realistic it could be life, she finds herself on slippery ethical ground.
