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This is a study of the archival formations, theoretical debates, and geopolitical frameworks that constructed an idea of China in Latin America from the nineteenth century to the present.

This study offers new insights into notoriously difficult texts from Latin America and calls attention to a previously unrecognized transnational community of thinkers and writers united by a critical regionalist ethos.

An examination of neoliberal ideology's ascendance in 1990s and 2000s British politics and society through its effect on state-supported performance practices.

Alisa Zhulina shows how canonical fin-de-siècle playwrights interrogated the meaning of capitalism, staging economic questions as moral and political concerns and challenging contemporary socioeconomic theories within the boundaries of bourgeois theater.

Combining close readings of key texts and previously unexamined ephemera, Laura Hughes traces critical connections between Hélène Cixous and Jacques Derrida across their overlapping archives.

Overturning our assumptions about the nature and value of reality, The Matter of Evil presents a provocative new model of ethical responsibility that is both logically justifiable and scientifically sound.

Philosopher and physician Drew Leder shows how a phenomenology of lived embodiment reveals a series of healing strategies available in the face of the bodily breakdowns and challenges that are a part of the human condition.

Quiet Armor, the third full-length collection from poet Stevie Edwards, examines how capitalism and patriarchy impact romantic relationships and, more broadly, intimacy.

In his debut collection, Portrait of Us Burning, Sebastián H. Páramo explores how his Texan, working-class, Mexican American identity shapes his relationship to his stepbrother and to his family’s burning desire to become American.

This novel is a parable for the twenty-first century, an allegory of the violence, racism, and international tensions between the United States and México.