The Universal Jew

Paper Text – $29.95

ISBN 978-0-8101-2717-3
Publication Date
January 2011
Page Count
304 pages
Trim Size
6 x 9

The Universal Jew

Masculinity, Modernity, and the Zionist Moment
Mikhal Dekel

The Universal Jew analyzes literary images of the Jewish nation and the Jewish national subject at Zionism’s formative moment. In a series of original readings of late nineteenth-century texts—from George Eliot’s Daniel Deronda to Theodor Herzl’s Altneuland to the bildungsromane of Russian Hebrew and Yiddish writers—Mikhal Dekel demonstrates the aesthetic and political function of literary works in the making of early Zionist consciousness. More than half a century before the foundation of the State of Israel and prior to the establishment of the Zionist political movement, Zionism emerges as an imaginary concept in literary texts that create, facilitate, and naturalize the transition from Jewish-minority to Jewish-majority culture. The transition occurs, Dekel argues, mainly through the invention of male literary characters and narrators who come to represent "exemplary" persons or "man in general" for the emergent, still unformed national community. 

Such prototypical characters transform the symbol of the Jew from a racially or religiously defined minority subject to a "post-Jewish," particularuniversal, and fundamentally liberal majority subject. The Universal Jew situates the "Zionist moment" horizontally, within the various intellectual currents that make up the turn of the twentieth century: the discourse on modernity, the crisis in liberalism, Nietzsche’s critique of the Enlightenment, psychoanalysis, early feminism, and fin de siècle interrogation of sexual identities. The book examines the symbolic roles that Jews are assigned within these discourses and traces the ways in which Jewish literary citizens are shaped, both out of and in response to them. Beginning with an analysis of George Eliot’s construction of the character Deronda and its reception in Zionist circles, the Universal Jew ends with the self-fashioning of male citizens in fin de siècle and post-statehood Hebrew works, through the aesthetics oftragedy. Throughout her readings, Dekel analyzes the political meaning of these nascent images of citizens, uncovering in particular the gendered arrangements out of which they are born.

About the Author

Mikhal Dekel is an assistant professor of English and comparative literature at The City College of New York, part of the City University of New York.

"Mikhal Dekel has written a complex, literary, and often witty analysis of what she calls the 'Zionist moment'. Through sophisticated readings of texts as different from each other as Bialik's 'In the City of Killings' and George Eliot's Daniel Deronda, Dekel brilliantly interweaves several important threads in the construction of modern Jewish political identity: gender, nation, and the tragic. The result is a rich intellectual tapestry." —Nancy K. Miller, Distinguished Professor of English and Comparative Literature, The Graduate Center, City University of New York 

"The Universal Jew explores in ways uniquely its own the construction of the modern Jewish national subject in turn-of-the-century literary and nonliterary writing. By demonstrating in particular that Daniel Deronda's English- and Hebrew-language receptors formed mirror images of each other, Mikhal Dekel has uncovered one of the great ironies of the modern history of the novel and its intersection with the history of nationality." —Andrew C. Parker, Professor of English, Amherst College