The Kingdom of Insignificance

Cloth Text – $45.00

ISBN 978-0-8101-2846-0
Publication Date
March 2013
Page Count
276 pages
Trim Size
6.125 x 9.25

The Kingdom of Insignificance

Miron Bialoszewski and the Quotidian, the Queer, and the Traumatic
Joanna Nizynska

In one of the first scholarly book in English on Miron Bialoszewski (1922–1983), Joanna Nizynska illuminates the elusive prose of one of the most compelling and challenging postwar Polish writers. Nizynska’s study, exemplary in its use of theoretical concepts, introduces English-language readers to a preeminent voice of Polish literature. Nizynska explores how a fusion of seemingly irreconcilable qualities, such as the traumatic and the everyday, imbues Bialoszewski’s writing with its idiosyncratic appeal.

Bialoszewski’s A Memoir of the Warsaw Uprising (1977, revised 1991) describes the Poles’ heroic struggle to liberate Warsaw from Nazi occupation in 1944 as harrowing yet ordinary. His later prose represents everyday life permeated by traces of the traumatic. Nizynska closely examines the topic of autobiography and homosexuality, showing how Bialoszewski discloses his homosexuality but, paradoxically, renders it inconspicuous by hiding it in plain sight.
About the Author

Joanna Niżyńska is an associate professor of Slavic languages and literatures at Harvard University.


"... an incisive, deeply analytical reading of the work of one of Poland’s most important authors of the twentieth century." —Slavonic and East European Review

"...Nizynska paves the way for a superb, although obscure, writer to be better understood and appreciated by English-language readers." —Slavic Review

"Undoubtedly, The Kingdom of Insignificance will prove to be an invaluable resource for scholars of Polish literature. It is a significant addition to both Bialoszewskian studies—which is quite minimal, especially in English—and to queer Polish literary studies—an area which is steadily growing but is still in need of development. When necessary Nizynska provides concise, thorough historical context, and often in a relaxed narrative style that makes it approachable for those readers unfamiliar with Polish history. Happily it is not, however, simply a history or literary biography. It is an incisive, deeply analytical reading of the work of one of Poland’s most important authors of the twentieth century. —Slavic and East European Review