Blooming Fiascoes

E-book – $17.00

ISBN 978-0-8101-4315-9

Trade Paper – $17.00

ISBN 978-0-8101-4314-2
Publication Date
February 2021
Page Count
88 pages
Trim Size
6 x 9

Blooming Fiascoes

Ellen Hagan

Blooming Fiascoes is a collective of verse that deconstructs identity. We are beautiful and monstrous. We live in a beautiful and monstrous world. Ellen Hagan poetically mirrors these metaphoric adversaries, drawing on her experiences as a woman, an artist, a mother, a transplanted southerner, and above all, a human being. She plumbs origins in history, body, and living to question how we reckon our whole selves in the catacombs of a world gone mad:

We mourn, we bless, / we blow, we wail, we / wind—down, we sip, / we spin, we blind, we / bend, bow & hem. We / hip, we blend, we bind, / we shake, we shine, / shine. We lips & we / teeth, we praise & protest.

In these poems, Assyrian, Italian, and Irish lines seep deeper into a body that is growing older but remains engaged with unruly encounters: the experience of raising daughters, sexual freedom, and squaring body image against the body’s prohibitions. This is a work where the legacy is still evolving and always asking questions in real time. Blooming Fiascos spindles poetry that is not afraid to see itself and the lives it inhabits.

About the Author

ELLEN HAGAN is the author of Crowned and Hemisphere (TriQuarterly Books, 2015). A writer, performer, and educator, she has had poems and essays published in Creative Nonfiction, Underwired magazine, Huizache, and Small Batch Magazine and in the anthologies She Walks in Beauty and Southern Sin. Her performance work was showcased at the New York International Fringe Festival and the Los Angeles Women’s Theatre Festival. Hagan serves as Poetry Chair of the DreamYard Project and coleads the Alice Hoffman Young Writers Retreat at Adelphi University. She lives with her husband and daughters in New York City.


“In this courageous and jubilant collection, Ellen Hagan implores the reader to embrace what is messy and difficult in the world—to see the rough, awkward edges of our daily lives as the buds that eventually sprout into a ‘migratory swarm of praise.’ These poems are exuberant. They throw tantrums and chuckle. They yearn. They reminisce about broken mattresses and ‘a miracle of pigeons.’ They revere women with endearing odes to daughters, mothers, friends, colleagues, women who fall asleep in bakeries and on buses. Blooming Fiascoes is a feast of image and lyric that reminds us there is magic to be made of torn jeans, traffic jams, and a daughter’s missing tooth, that we must carry all these things with us and ‘hold it like a charm.’” —Vincent Toro, author of Tertulia