Anti-Nazi Modernism

Paper Text – $45.00

ISBN 978-0-8101-2863-7
Publication Date
December 2012
Page Count
320 pages
Trim Size
6 x 9

Anti-Nazi Modernism

The Challenges of Resistance in 1930s Fiction

Mia Spiro's Anti-Nazi Modernism marks a major step forward in the critical debates over the relationship between modernist art and politics. Spiro analyzes the antifascist, and particularly anti-Nazi, narrative methods used by key British and American fiction writers in the 1930s. Focusing on works by Djuna Barnes, Christopher Isherwood, and Virginia Woolf, Spiro illustrates how these writers use an "anti-Nazi aesthetic" to target and expose Nazism’s murderous discourse of exclusion. The three writers challenge the illusion of harmony and unity promoted by the Nazi spectacle in parades, film, rallies, and propaganda. Spiro illustrates how their writings, seldom read in this way, resonate with the psychological and social theories of the period and warn against Nazism’s suppression of individuality. Her approach also demonstrates how historical and cultural contexts complicate the works, often reinforcing the oppressive discourses they aim to attack. This book explores the textual ambivalences toward the "Others" in society—most prominently the Modern Woman, the homosexual, and the Jew. By doing so, Spiro uncovers important clues to the sexual and racial politics that were widespread in Europe and the United States in the years leading up to World War II.

About the Author

Mia Spiro has a postdoctoral fellowship from the Social Sciences and Humanities Research Council of Canada and is a visiting scholar at the Crown Family Center for Jewish Studies at Northwestern University.


"Anti-Nazi Modernism brings exemplary research, original analysis and argument, and fascinating close readings of important mid-twentieth-century Anglo-American political fictions to the field of modernist studies. Central to its literary analysis are questions typically connected to Jewish and Holocaust studies and to queer and feminist studies. In this beautiful and dangerous book, Mia Spiro elegantly takes on sacred figures and dares to expose the weaknesses and contradictions in otherwise admirable and bravely resistant experimental writing." —Kristin Bluemel, Monmouth University