KATE BREDESON (she/her) is a theater historian, director, and dramaturg. Her project as a scholar is to research, write about, and practice the ways in which theater can be a tool for radical activism and protest. She is the author of Occupying the Stage: The Theater of May '68 (finalist, George Freedley Award) and the editor of The Diaries of Judith Malina, both published by Northwestern University Press. She is a professor of theater at Reed College in Portland, Oregon.
THALIA WOLFF (she/her) is an interdisciplinary theater maker, teaching artist, and storyteller. She is an MA candidate in Emerson College’s Theatre Education and Applied Theatre program.
