An award-winning author presents a portrait of Black America in the nineteenth century
Over the course of two decades, award-winning poet Patricia Smith has amassed a collection of rare nineteenth-century photographs of Black men, women, and children who, in these pages, regard us from the staggering distance of time.
Unshuttered is a vessel for the voices of their incendiary and critical era. Smith’s searing stanzas and revelatory language imbue the subjects of the photos with dynamism and revived urgency while she explores how her own past of triumphs and losses is linked inextricably to their long-ago lives:
We ache for fiction etched in black and white. Our eyes never touch. These tragic grays and bustles, mourners’
hats plopped high upon our tamed but tangled crowns, strain to disguise what yearning does with us.
The poet’s unrivaled dexterity with dramatic monologue and poetic form reanimates these countenances, staring back from such yesterdays, and the stories they may have told. This is one of American literature’s finest wordsmiths doing what she does best—unreeling history to find its fierce and formidable lyric.
PRAISE FOR PATRICIA SMITH
“Her work is always timely, powerful, necessary, and at turns heartbreaking.” —Natasha Trethewey, author of Memorial Drive: A Daughter’s Memoir
“Patricia Smith is a masterful poet, performer, and pundit. And while her chosen field is the form and grace of language, her gift to the world that orbits the Black experience is truth.” —Walter Mosley, author of The Awkward Black Man: Stories
“Over the course of her career, Patricia Smith has a reputation for tackling complicated ideas, combining humor and tragedy, and bridging the gap between spoken word and lyrical prose.” —Alex Dueben, The Millions
“A great stage performer and a former national slam poetry champion, Smith is also a performer on the page.” —John S. O’Connor, Harvard Review
“Smith has a way of shining light into the darkness with a necessary and timely tongue of fire, challenging readers to open their eyes and face the truth.” —Kathryn de Lancellotti, The Bind
“This is an affecting, lyrical work of empathy and imagination complemented by stunning images.” —starred review, Publishers Weekly