A writer who defies categorization, Daniil Kharms has come to be regarded as an essential artist of the modernist avant-garde. His writing, which partakes of performance, narrative, poetry, and visual elements, was largely suppressed during his lifetime, which ended in a psychiatric ward where he starved to death during the siege of Leningrad. His work, which survived mostly in notebooks, can now be seen as one of the pillars of absurdist literature, most explicitly manifested in the 1920s and ’30s Soviet Union by the OBERIU group, which inherited the mantle of Russian futurism from such poets as Vladimir Mayakovsky and Velimir Khlebnikov. This selection of prose and poetry provides the most comprehensive portrait of the writer in English translation to date, revealing the arc of his career and including a particularly generous selection of his later work.
"Reading this book makes me want to put myself in Kharms’s way." —Gary Shteyngart, author of The Russian Debutante’s Handbook, Absurdistan, and Super Sad True Love Story
"If the prospect of reading a minimalist, absurdist, surrealist Russian intimidates, Cigale’s translation should help allay those fears. His agile rendering of Kharms’s work is as fine a representation in English as I’ve seen of the ambiguity, shading, and tense-shifting that typifies Russian prose, aspects that English translations too often muddle." —Il’ja Rákoš, The Millions
"Russian Absurd is not only a fitting introduction to Kharms, but it should inspire readers to seek out other translations by Alex Cigale, who was awarded a 2015 NEA Literary Translation Fellowship." —Rain Taxi
"...lively and funny... a profound and subtle testament to Kharms." —Times Literary Supplement