Table of ContentsAcknowledgements p. 41. Introduction: The International Strindberg p. 6Anna Westerståhl Stenport 2. Stockholm – Berlin – Moscow: Strindberg and Avant-Garde Performance in the 1920sEszter Szalczer p. 37 3. Castration Anxiety and Traumatic Encounters with the Real in the Works of August Strindberg and Lars von Trier p. 70Mads Bunch 4. Reconsidering the Place of Strindberg in Surrealism: André Breton and the Light of the Objective Chance Encounter p. 103.Maxime Abolgassemi 5. Standing at the Bourne of the Modern: Strindberg's Ecological Subject in
By the Open Sea and his Archipelago Paintings p. 127Linda Haverty Rugg 6. Paris, Laboratory of Modernity: Modernist Experimentation and August Strindberg’s Search for "the Equation" in Paris p. 151Sylvain Briens 7. Voices and Visions in Fingal’s Cave: Plato and Strindberg p. 181Freddie Rokem 8. Money Metaphors and Rhetoric of Resource Depletion:
Creditors and Late Nineteenth-Century European Economics. p. 207Anna Westerståhl Stenport 9. A Nineteenth-Century Long Poem Meets Modernity:
Sleepwalking Nights p. 239Massimo Ciaravolo 10.
By the Open Sea—A Decadent Novel? Reconsidering Relationships between Nietzsche, Strindberg, and
Fin-de-siècle Culture. p. 279.Tobias Dahlkvist 11. ‘The Spoken Word is All’—‘Ordet det talade är allt’: Translating Strindberg for the International Stage p. 308.Anne-Charlotte Hanes Harvey 12. The Art of Doubt: Form, Genre, History in
Miss Julie p. 359Leonardo F. Lisi 13. Notes on Contributors p. 401