Acknowledgements iiiNotes on Technical Matters vIntroduction 1
PART I: ContextsChapter 1: Beyond the Soviet Sixties: The Origins and Contexts of Guitar Poetry 12Chapter 2: Grey Zones: Theories of Marginality in a Russian-Soviet Context 46
PART II: Guitar Poetry's Selves and CommunitiesChapter 3: Guitar Poetry and the Creation of
Lichnost’ 70Chapter 4: The "KSP State": Audience Reception, Self-Fashioning, and "Conversations 98between Friends"
PART III: Lyrical Marginalities and BeyondChapter 5: Overt Marginality:
Antisovetchina 128Chapter 6: Covert Marginality: The Significance of Insignificance 169Chapter 7: Genre-Bending and "Hypergenericity" 208Conclusion 247Notes 254Bibliography 336
Index