Mikhail Lermontov (1814-1841) is one of Russia's most prominent poets--and one of its most puzzling. In this radically new interpretation, David Powelstock reveals how the seeming contradictions in Lermontov's life and works can be understood as manifestations of a coherent worldview.
By bringing to light Lermontov's operative version of Romantic individualism, Powelstock is able to make sense of the poet's relationship to "romantic irony," his highly modern concept of the reader (both real, and implied in the text), and his vexed passion for his predecessor Alexander Pushkin--a relationship that is almost always treated sentimentally, but is here given its true competitive edge. Furthermore, Powelstock offers the most persuasive account ever given of Lermontov's exceptionally odd treatment of, and success with, women--both in real life and in fiction--and of his cruel overlapping of these two planes.
Clarifying what has remained perplexing for so long, and correcting what has been misinterpreted, Powelstock's work illuminates Lermontov's views of dignity, death, love, nature, society, and ethics--and, finally, gives us an intellectual biography that is deeper and more subtle than any written before.
Chapter 1: Representing the Romantic Hero: Death & the Dream of Death Chapter 2: The Icon & the Window: Framing the Social Self & Literary Mediation Chapter 3: The Ineffable Self in the Landscape of Language: A Romantic Mythology of the Word Chapter 4: Poetry as Theater: Taking the Stage Chapter 5: Enter the Other: The Author & His Readers Chapter 6: Sincere Lies: Irony & Seduction in A Hero of Our Time Chapter 7: "Fierce Integrity": Inner Freedom & Poetic Potentials Conclusion: Living into Language
David Powelstock is assistant professor of Russian and East European literatures at Brandeis University.
"This is the most comprehensive literary biography of Mikhail Lermontov published to date." --Slavic Review
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