Compendium of American Musicology

Acknowledgments

John F. Ohl's Biography
Enrique Alberto Arias

Part I: Chant Studies
Exploring a Little-Known Chant Source: Provins, Bibl. Mun. MS
Theodore Karp

Sanctus Tropes in South-Italian Manuscripts, A.D. 10000-1250
John Boe

The First-Mode Gradual Salvum fac servum: Modal Practice Reflected in a Chant That Begins on B Flat
Jefferey Wasson

Part II: Studies in Music from the Renaissance through the Classic Era

The Use of Open Score as a Solo Keyboard Notation in Italy ca. 1530-1714
James Ladewig

Northwestern University's Seventeenth-Century Manuscript of Roman Cantatas
William V. Porter

The Common Sense School and the Science of Music in Eighteenth-Century Scotland: A Look at John Holden's Essay Towards a Rational System of Music 
Leslie Ellen Brown

Reflections from a Cracked Mirror: Madness in Music and Theory of the Seventeenth and Eighteenth Centuries—An Overview
Enrique Alberto Arias

The String Trio Version of Haydn's Princess Esterházy Sonatas (Hob.XVI:40-42): Authenticity and Authorship
A. Peter Brown

Part III: Source and Genre Studies in Romantic and Postromantic Music

Robert Schumann's Exercice and the Toccata, Opus 7
Richard D. Green

The Germanic Program Symphony in the Nineteenth Century (to 1914)
F. E. Kirby

Alban Berg and Mahler's Eighth Symphony
Susan M. Filler

The Importation o fWestern Music to China at the Turn of the Twentieth Century
Kuo-Huang Han

Sleep, Sleep—Perchance to Dream
Edith Borroff

Notes on Contributors