The Merleau-Ponty Aesthetics Reader

Acknowledgments
Abbreviations
Preface

Part 1: Introduction to Merleau-Ponty's Philosophy of Painting by Galen A. Johnson
1. Phenomenology and Painting: "Cézanne's Doubt"
2. Structures and Painting: "Indirect Language and the Voices of Silence"
3. Ontology and Painting: Eye and Mind

Part 2: Merleau-Ponty's Essays on Painting
4. Cézanne's Doubt
5. Indirect Language and the Voices of Silence
6. Eye and Mind
Plates (from "Eye and Mind" and Les philosophes celebres)

Part 3: Critical Essays on Merleau-Ponty's Philosophy of Painting
7. Forrest Williams, Cézanne, Phenomenology, and Merleau-Ponty
8. Alphonse de Waelhens, Merleau-Ponty: Philosopher of Painting
9. Michael B. Smith, Merleau-Ponty's Aesthetics
10. Marjorie Grene, The Aesthetic Dialogue of Sartre and Merleau-Ponty
11. Linda Singer, Merleau-Ponty on the Concept of Style
12. Oliver Mongin, Since Lascaux
13. Mikel Dufrenne, Eye and Mind
14. Hugh J. Silverman, Cézanne's Mirror Stage
15. Jacques Taminiaux, The Thinker and the Painter
16. Véronique M. Fóti, The Dimension of Color
17. Jean François Lyotard, excerpts from Discours, figure
18. Jean François Lyotard, Philosophy and Painting in the Age of Their Experimentation: Contribution to an Idea of Postmodernity
19. Rene Magritte, Letter to Alphonse de Waelhens
20. Wayne J. Froman, Action Painting and the World-as-Picture
21. Robert Burch, On the Topic fo Art and Truth: Merleau-Ponty, Heidegger, and the Transcendental Turn

Notes on Contributors
Notes
Selected Bibliography