High Stakes of Identity
High Stakes of Identity
During the reigns of Alexander I and Nicholas I, Ian Helfant argues, gambling became an essential proving-ground and symbolic locus for noble identity in Russia--a way for the nobility to assert its values (fearlessness, disdain for money, implacable self-possession, deification of whim and will, and stylish performance) against nineteenth-century economics and bourgeois sentimentality. In The High Stakes of Identity Helfant's twin concerns are to analyze the structural components of the myth of the noble "beau joueur" and to show how gambling performances in society and in literature reciprocally reinforced, complicated, and eventually disintegrated its mystique.
Using a broad variety of sources--memoiristic, epistolary, journalistic, legal, fictional, theatrical--Helfant reconstructs both the prevalence and the particular codes of gambling's cultural system in the first few decades of the nineteenth century. These codes allow him to interpret the iconoclastic performances of truly legendary gamblers and to assess the importance and purpose of gambling in works ranging from Pushkin's "Queen of Spades" to Lermontov's "Masquerade." Throughout, Helfant gives voice to the rich variety of discourses, from tsarist laws to moralistic tracts, that came to bear on the culture of gambling in the 1830s and eventually led to its displacement as the key marker of nobility.
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