From neighborhood associations and humanitarian alliances to arts organizations both large and small, Fisek traces how theater has emerged as a practice with the perceived capacity to address questions regarding immigrant rights, integration, and experience. In Aesthetic Citizenship, she explores how the stage, one of France’s most evocative cultural spaces, has come to play a role in contemporary questions about immigration, citizenship and national identity. Yet Fisek’s insightful research also illuminates Paris’s broader historical, political, and cultural through lines that continue to shape the relationship between theater and migration in France.
By focusing on how French public discourses on immigration are not only rendered meaningful but also inhabited and modified in the context of activist and arts practice, Aesthetic Citizenship seeks to answer the fundamental question: is theater a representational act or can it also be a transformative one?
—Clare Finburgh, coeditor of Contemporary French Theatre and Performance and author of Jean Genet
"An essential resource that archives theater practices in France that have not been properly documented to date, Aesthetic Citizenship also makes a fresh and original argument about the complexities of the relationship of theater practice, immigration, and cultural policy in France. It’s the best thing I have read in many years on the complexities of interculturalism."
—Mary Noonan, author of Echo's Voice: The Theatres of Sarraute, Duras, Cixous and Renaude and The Fado House
processes. Part intimate ethnography, part political exposé, this book is not afraid to explore the biases and contradictions of national
republicanism in France as they play out on the ground among migrants, asylum seekers and advocacy organizations. Each richly detailed chapter traces complex human investments in bridging or transforming the gaps between what democracy promises and what it seems to deliver. Across the whole, Emine Fisek offers new and nuanced ways of thinking broadly about citizenship as a powerfully performative act.” —Helen Gilbert, author of Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia