Site Unscene

E-book – $34.95

ISBN 978-0-8101-3503-1

Cloth Text – $99.95

ISBN 978-0-8101-3502-4

Paper Text – $34.95

ISBN 978-0-8101-3501-7
Publication Date
May 2017
Page Count
240 pages
Trim Size

Site Unscene

The Offstage in English Renaissance Drama
Jonathan Walker

Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers’ sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama’s nonvisible and eccentric elements embellish, alter, and subvert visible action on the stage.
Jonathan Walker demonstrates that by removing scenes from visible performance, playwrights take up the nondramatic mode of storytelling in order to transcend the limits of the stage. Through this technique, they present dramatic action from the subjective, self-interested, and idiosyncratic perspectives of individual characters. By recovering these offstage elements, Walker reveals the pervasive and formative dynamic between the onstage and offstage and between the seen and unseen in Renaissance drama.
Examining premodern dramatic theory, Renaissance plays, period amphitheaters, and material texts, this interdisciplinary work considers woodcuts, engravings, archaeology, architecture, rhetoric, the history of the book, as well as plays by Shakespeare, Marlowe, Kyd, Ford, Middleton, and Webster, among others. It addresses readers engaged in literary criticism, dramatic theory, theater history, and textual studies. 
About the Author

JONATHAN WALKER is an associate professor of English at Portland State University.

“Admirably researched and knowledgeably written, Site Unscene makes a thorough and convincing argument. Although written with scholars of Renaissance drama in mind, this intriguing topic has much wider appeal.” —William Gruber, author of Comic Theaters: Studies in Performance and Audience Response and Missing Persons: Essays on Character and Characterization in Modern Drama