Figures of the World

E-book – $34.95

ISBN 978-0-8101-4216-9

Cloth Text – $99.95

ISBN 978-0-8101-4215-2

Paper Text – $34.95

ISBN 978-0-8101-4214-5
Publication Date
July 2020
Page Count
296 pages
Trim Size
6 x 9
ISBN
0-8101-4214-7

Figures of the World

The Naturalist Novel and Transnational Form
Christopher Laing Hill

Figures of the World: The Naturalist Novel and Transnational Form overturns Eurocentric genealogies and globalizing generalizations about “world literature” by examining the complex, contradictory history of naturalist fiction. Christopher Laing Hill follows naturalism’s emergence in France and circulation around the world from North and South America to East Asia. His analysis shows that transnational literary studies must operate on multiple scales, combine distant reading with close analysis, and investigate how literary forms develop on the move.
 
The book begins by tracing the history of naturalist fiction from the 1860s into the twentieth century and the reasons it spread around the world. Hill explores the development of three naturalist figures—the degenerate body, the self-liberated woman, and the social milieu—through close readings of fiction from France, Japan, and the United States. Rather than genealogies of European influence or the domination of cultural “peripheries” by the center, novels by Émile Zola, Tayama Katai, Frank Norris, and other writers reveal conspicuous departures from metropolitan models as writers revised naturalist methods to address new social conditions. Hill offers a new approach to studying culture on a large scale for readers interested in literature, the arts, and the history of ideas.
 

About the Author

CHRISTOPHER LAING HILL is an assistant professor of Asian languages and cultures at the University of Michigan and the author of National History and the World of Nations.
 

Reviews

Figures of the World: The Naturalist Novel and Transnational Form is an incredibly impressive book. The combination of Hill’s clear, elegant style with the depth and complexity of his background work, on one hand, and the fine-grained quality of his close readings, on the other, make this a model for all literary critical work of its type.” —Eric Hayot, author of On Literary Worlds