Through an engaging exploration of the concept of “never again” (nunca más/nunca mais) and close analysis of photography exhibits, audiovisual installations, and other art forms in spaces of cultural memory, the book explores how aesthetic interventions can suggest alternative ways of framing human rights subjectivity beyond the rhetoric of liberal humanitarianism. The book visits sites of memory, two of which functioned as detention and torture centers during dictatorships, to highlight the tensions between the testimonial tenor of permanent exhibits and the aesthetic interventions of temporary visual culture installations there. Rajca thus introduces perspectives that both undo common understandings of authoritarian violence and its effects as well as reconfigure who or what are made visible as subjects of memory and human rights in postdictatorship countries.
Dissensual Subjects offers much to those concerned with several interlocking fields: memory, human rights, political subjectivity, aesthetics, cultural studies, visual culture, Southern Cone studies, postdictatorship studies, and sites of memory.
“Rajca delivers a powerful and impressive critique of memory politics in the Southern Cone and Brazil. Skillfully written, this book is certain to impact the way scholars interpret the relationship between human rights and memory in Latin America and beyond.” —Rebecca J. Atencio, author of Memory’s Turn: Reckoning with Dictatorship in Brazil