Christ's Subversive Body

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ISBN 978-0-8101-3601-4

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ISBN 978-0-8101-3600-7

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ISBN 978-0-8101-3599-4
Publication Date
November 2017
Page Count
288 pages
Trim Size
6 x 9
ISBN
0-8101-3599-X

Christ's Subversive Body

Practices of Religious Rhetoric in Culture and Politics
Olga V. Solovieva; Foreword by Haun Saussy

Christ's Subversive Body offers a fascinating exploration of six historical examples of politically or culturally subversive usages of the body of Christ. Shining a light on the enabling potential of religious rhetoric, Solovieva examines how in moments of crisis or transition throughout Western history the body of Christ has been deployed in a variety of discourses, including recent neo- and theoconservative movements in the United States.
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Solovieva’s survey includes the iconoclastic polemics of Epiphanius at the moment of struggles for supremacy between the Roman state and the Christian church, the mystical theologico-political alchemy of an anonymous treatise circulated at the Council of Constance, Lavater’s counter-Enlightenment visions of the afterlife expressd through physiognomy, Dostoevsky’s refashioning of ethical communities, Pier Paolo Pasolini’s attempts to provoke the “scandal” of Jesus’s mission once more in the modern world, and the elaboration of a political theology subordinating democratic dissent to the higher unity of a corporately conceived “unitary executive” in early twenty-first-century America.
Solovieva presents her findings not as an entry into theological or Christological debates but rather as a study in comparative discourse analysis. She demonstrates how these uses of Christ’s body are triggered by moments of epistemological, political, and representational crisis in the history of Western civilization.
About the Author

OLGA V. SOLOVIEVA teaches comparative literature at the University of Chicago.

HAUN SAUSSY is University Professor of Comparative Literature at the University of Chicago and author of The Ethnography of Rhythm: Orality and Its Technologies.
Reviews

"This book is an important and original contribution to the investigation of the subversive uses of the body of Christ. Solovieva reads various textual and visual works in a brilliant new constellation, and in so doing adds fresh perspectives on texts that continue to engage scholars of diverse disciplinary and cultural backgrounds." 
—Soelve I. Curdts, Heinrich-Heine-Universität Düsseldorf