After the Nation

Paper Text – $39.95

ISBN 978-0-8101-3215-3
Publication Date
November 2014
Categories
Page Count
304 pages
Trim Size
6 x 9
ISBN
0-8101-3215-X

After the Nation

Postnational Satire in the Works of Carlos Fuentes and Thomas Pynchon

After the Nation proposes a series of groundbreaking new approaches to novels, essays, and short stories by Carlos Fuentes and Thomas Pynchon within the framework of a hemispheric American studies. García-Caro offers a pioneering comparativist approach to the contemporary American and Mexican literary canons and their underlying nationalist encodement through the study of a wide range of texts by Pynchon and Fuentes which question and historicize in different ways the processes of national definition and myth-making deployed in the drawing of literary borders. After the Nation looks at these literary narratives as postnational satires that aim to unravel and denounce the combined hegemonic processes of modernity and nationalism while they start to contemplate the ensuing postnational constellations. These are texts that playfully challenge the temporal and spatial designs of national themes while they point to and debase “holy” borders, international borders as well as the internal lines where narratives of nation are embodied and consecrated.

About the Author

Pedro García-Caro is an associate professor of Spanish in the Department of Romance Languages and Participating Faculty in the Department of Comparative Literature at the University of Oregon.

Reviews

After the Nation is an extraordinarily rich book that encompasses more than literary criticism—the cultural history of divergent nations that cannot or should not be ignorant of each other’s culture nor of its dissident voices.” —Jean Franco, from the foreword

“Exemplary in its inter-American scope, well conceived and clearly written, this book offers an innovative framework to investigate a wide array of interrelated American topics—border crossing, modernity, enlightenment, postcolonalism, exceptionalism—that have shaped the works of Carlos Fuentes and Thomas Pynchon and, by extension, of many contemporary U.S. and Latin American writers.” —Alejandro Herrero-Olaizola, Arthur F. Thurnau Professor of Spanish and Latin American Studies at the University of Michigan and author of The Censorship Files: Latin American Writers and Franco’s Spain